The main theme uses Orpheus’ Lyre. It starts in B flat major then changes to darker modes as he gets closer to Hades.

Scene when Orpheus is on the shore of the river Styx and sees Charon’s boat approaching through the mist over the river.
Scene when Orpheus enters Hades’ temple and we see Hades on his throne reading prayers of the deceased that were burned on funeral pyres. On each side of the throne is a brazier; one for “Granted” and the other for “Denied”. Shadows flow over the floor’s surface until they reach the lit area around Hades. From the shadows, long arms shrouded in floor-length dark sleeves rise with the prayers on paper and hand them to Hades. The first cresendo is when we see Hades and the second for when he decides and tosses the paper into one of the braziers.



007 building the floor lamps, altar, collection box and seiza tables you see here for the use in the Buddhist Church of Spokane, Washington.


ou can see, this is all stuff hacked together from scraps.
Federal Aviation Administration and the Bureau of Alcohol, Tobacco and Firearms provided strict regulations around the storage, purchase and use of any rocket motors with a specific impulse above 36 Lb-seconds. In order to better assure that the hobbyist would align with these regulations, hobbyists associations coordinate the launches and supply amateurs with the supplies and training they need.
Mine was a pic-based system with a clunky altimeter and an enormous T-1 accelerometer but what I really wanted to study was what’s called the mach disks of the rocket’s exhaust. This is actually a phenomena that reveals volumes about the sonics, plasma and nozzles of all jet and rocket propulsion.
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